AWARDS
THE FIRST ANNUAL
ÜberCiné AWARDS
We polled our entire staff (who are all quite brilliant), and here are                     
the unbiased, non-elitist, payola-free, 100% democratic results:                    
ÜberCiné

The Website of Record.
ÜBER SOUND DESIGN: Ben Burtt
Star Wars: Episode III - Revenge of the Sith
ÜBER VISUAL DESIGN: Dave McKean
MirrorMask
ÜBER MONEY SHOTS: Peter Jackson
King Kong (including whole crew)
ÜBER COSTUMES/MAKEUP: Nick
Park & Steve Box
Wallace & Gromit in
The Curse of the Were-Rabbit
ÜBER CONTROVERSY: Paradise Now
Directed by Hany Abu-Assad
ÜBER CINEMATOGRAPHY:Walther
van den Ende
Joyeux Noël
ÜBER DOCUMENTARY:
Shake Hands with the Devil: The Journey
of Roméo Dallaire
(Dir: Peter Raymont)
SOON, WHEN
WE'RE HUGE,
YOU CAN
TELL PEOPLE...
"I was
there
for the
first one!"
ÜBER SCORE: Mediaeval Baebes
The Virgin Queen (Score w/ Martin Phipps)
ÜBER STRIDE: Joe Wright
Director: Pride and Prejudice
ÜBER SCREENPLAY: Corpse Bride
John August, Pamela Pettler, Caroline Thompson
ÜBER ACTOR: Christopher Lee
Chocolate Factory / Corpse Bride / Star Wars...
ÜBER ACTRESS: Shirley Henderson
Yes / Frozen / Tristam Shandy / Harry Potter...
ÜBER FEATURE FILM: Wu ji
(The Promise) "Glorious and thrilling!" -G.W.
Written and Directed by Chen Kaige

In lieu of pricey swag, all winners
are entitled to a complimentary sorbet.
~2005
WAR
IS
STUPID.
ENVIRONMENTALLY SOUND: This site made with 100% recycled pixels.
THE SECOND ANNUAL
ÜberCiné AWARDS
ÜBER SOUND DESIGN
Everyone Stares: The Police Inside Out

Runners-Up:
The Descent
Happy Feet
El Laberinto del Fauno ~=
Pan's Labyrinth
Tenacious D in: The Pick of Destiny

ÜBER VISUAL DESIGN
Pan's Labyrinth

Runners-Up:
Man cheng jin dai huang jin jia =
Curse of the Golden Flower
The Prestige
Tideland
V for Vendetta

ÜBER MONEY SHOTS
Mad Cowgirl

Runners-Up:
Final Destination 3
Happy Feet
Pirates of the Caribbean:
- Dead Man's Chest
Snakes on a Plane

ÜBER COSTUMES/MAKEUP
Apocalypto

Runners-Up:
Curse of the Golden Flower
Pan's Labyrinth
Tideland
X-Men: The Last Stand

ÜBER CONTROVERSY
Little Children

Runners-Up:
An Inconvenient Truth
Thank You for Smoking
This Film Is Not Yet Rated
Wah-Wah

ÜBER CINÉMATOGRAPHY
Curse of the Golden Flower

Runners-Up:
Happy Feet
Miss Potter
The Nativity Story
Tideland

ÜBER DOCUMENTARY
Glastonbury

Runners-Up:
An Inconvenient Truth
The U.S. Vs. John Lennon
Who Is Harry Nilsson?
Who Killed the Electric Car?


ÜBERCINÉ ANNUAL
MELVIN KAMINSKY AWARD
FOR BEING VERY OLD
WITHOUT TECHNICALLY BEING DEAD YET:

Peter O'Toole!

(Extended Lavatory Break)

ÜBER SCORE/SOUNDTRACK
Happy Feet

Runners-Up:
Curse of the Golden Flower
The Last King of Scotland
Neil Young: Heart of Gold
The Proposition

ÜBER STRIDE
Sturla Gunnarson
Director: Beowulf & Grendel

Runners-Up:
Sacha Baron Cohen (actor: Borat: Etc.)
Richard E. Grant (director: Wah-Wah)
Kazunari Ninomiya
(actor: Letters from Iwo Jima)
Cristi Puiu (writer-director:
The Death of Mr. Lazarescu)

ÜBER SCREENPLAY
Bobby

Runners-Up:
Happy Feet
The Science of Sleep
Stranger Than Fiction
Tristam Shandy: A Cock and Bull Story

ÜBER ACTING PERSON (Lighter)
Rupert Grint
Driving Lessons

Runners-Up:
Alan Arkin (Little Miss Sunshine, etc.)
Helen Mirren (The Queen)
Peter O'Toole (Lassie, Venus)
Robin Williams (Happy Feet, etc.)

ÜBER ACTING PERSON (Heavier)
Samuel L. Jackson
Home of the Brave, Snakes on a Plane

Runners-Up:
Jackie Earle Haley (Little Children)
Valeria Golino (La Guerra di Mario)
Maribel Verdu (Pan's Labyrinth)
Hugo Weaving (Happy Feet, Little Fish,
V for Vendetta)

ÜBERCINÉ PRIZE 2006
TIE!
Happy Feet / Tideland

Runners-Up:
Curse of the Golden Flower
Lonesome Jim
Pan's Labyrinth
All Material Here © ÜberCiné (unless otherwise noted) - All Rights Reserved.
~2006
On Friday, 9 February, 2007,
ÜberCiné presented its first ever
physical, tangible award -- to
writer-director-producer-
doctor
George Miller
, for his and his
crew's outstanding
HAPPY FEET.
Mr. Miller kindly accepted the Prize
in what could be described as a quite
mild "ambush" or "stride-by
trophying" in a West Side café, very
generously stating, "We're nominated
for an Academy Award, but this
means even more to me."
(Oh,
do go on.)
No further endorsement is implied,
however a round of applause is in
order; see below:
Gregory's Commentary:

Yes, well, although I like visuals and
story as much as the next consumer,
when I go to a movie, I
listen; and
various eerie noises, a repeated vocal
motif and pop-songs aplenty fall to the
The Police movie (sic), the remixed
glory of which simply sounds
awesome, so I'm not surprised it wins.

Meanwhile, it really was a great year
for visuals (apart from the very
average and even crappy work in
some of the top contenders elsewhere
-- Cuaron:
Go back to school!), and
this was a tough vote indeed -- but
Pan's Labyrinth was simply the most
inventive and elegant, nigh masterful.

In a more acute sense, our "Money
Shot" award seeks to draw attention
to that which seeks to draw attention,
and these candidates and others really
excelled in this regard -- however
Mad Cowgirl takes top prize, and
somewhat ironically, because its
indelible money-shots (not excluding
"Chekov" at 69 receiving oral
pleasure) cost very little money!

Another toughie -- although our panel
agreed that the "Pale Man" character is
disqualified because how scary is a
dude with eyes on his palms, really?  
Thus, despite work gorgeous, campy
and disturbing, the prize goes to
Apocalypto -- which hotly trades on
the punk aesthetic that made us love
The Road Warrior in the first place.

Apart from being a Prince album from
back when he was dirty and human, a
Controversy is that which
provokes --
and adultery, alleged censorship,
global devastation and (worst of all)
marketing came up for reckoning;  
but it was the oppressive, anti-sensual
climate of American suburbia (and its
victim-monster, played by Jackie Earle
Haley) which brought a shocked wow.

Happy Feet may have been, overall,
the best-looking movie of the year
(scope it frame-by-frame when you
download it), and conventional and
unconventional beauty also reigned,
but
Curse of the Golden Flower
brought something through the lens for
which our team hungers: Majesty!

My goodness, could this have been
tougher?  Character-wise, you can't
beat the Nilsson movie -- a monkey
could have scored with that material!  
But rockers and the planet seemed too
obvious, thus we gave it up for a
movie about rockers
and the planet:
See
Glastonbury, by all means!

Heck, there sure are a lot of old
people out there, and they still own
just about everything, thus it's pretty
hard to like them.  But O'Toole is a
different story.  Guy has smoked so
much that he sounds and even looks
like Judi Dench now...but even playing
a wretched old lech (what is
Venus
but the decay of
Lawrence's second
half, rewrought?), the man, shall we
say, still gives us
high spirits?

Another toughie!  It was an amazing
year for notes on the screen (apart
from those of Philip Glass, because he
sucks), and we here at
ÜberCiné dig
the orchestral, the funky, the folkie and
the bleak in equal measure.  But
Happy
Feet
-- Jesus -- it simply sounds like a
godhead pop dream come true!

Another toughie!  No, not for Borat --
we're just not so easily swayed here that
we immediately adore some guy because
he knows how to play a big jerk in public
(large stride, but
way too easy). In this
category we saw pop-stars becoming
solid actors, actors becoming solid
directors, and directors leaping forward.  
Gunnarson takes the top prize because
after many years in television, he
delivered a tough, gorgeous, engrossing
version of
Beowulf by eschewing special
effects for robust cinématic intimacy.

Let's be frank: We at
ÜberCiné love
weird, existential and metaphysical
scripts.  We also love wacko brilliance.  
But sometimes it takes even more
creativity (and courage) to say
something real about reality, and beyond
that to imbue that which is ostensibly
frozen in time with the pulsing
now-ness
of compassion, humanitarianism and
appreciation for this fleeting thing called
Life.  
Bobby genuinely triumphs thusly.

I know, I know, you're upset at our
top-notch team of trained professionals
for taking the glory away from the elders
and giving it to a kid.  But as kids go,
that Breslin girl was merely okay (any
kid could and would do that), and these
brilliant oldsters need to step aside and
make way for the future -- which, in this
particular case, is called  Rupert Grint.

Some great dramatic turns came our
way last year, but Mr. Jackson displayed
not only the widest range, but genuine
mastery across the spectrum.  Applause
for the others, but Sam stood tallest.  
From his slow burn in
Snakes to his
incredibly moving struggle in
Home of
the Brave
, Jackson gave us a real hero
twice, and both times amidst
unimaginable terrors -- except once for
fun (and victory) and once for dead
serious (in a world where "victory" has
lost its meaning).  Top work.  Bravo!
Now, more than ever,
movies are your best
entertainment value --
except when they
suck,
which is often.  Behold,  
these two TOTAL
NON-SUCK-FESTS!  
Happy Feet = Perfection
in Entertainment.  
Tideland = Pan's
Labyrinth's
twin, done
uglier but less obscenely
violent and ultimately
transcendently hopeful.
In keeping with tradition, in lieu of pricey swag,
all winners are once again entitled to a complimentary sorbet.